Williams’s lover and companion during this period was New Orleanian Pancho Rodriguez y Gonzales, who lived with Williams at 632 ½ Saint Peter Street during the writing of Streetcar. The playwrightĪ circa 1945 image shows Williams with his lover and companion Pancho Rodriguez y Gonzales. Before Wood sent the manuscript to be typed by her staff, she crossed out the title The Poker Night and wrote in the more poetic A Streetcar Named Desire. In her memoir she notes that she thought The Poker Night sounded too much like a Western novel. He had completed the work almost a year prior, on March 16, 1946. When his literary agent Audrey Wood saw the manuscript she knew she had a hit, but she did not like the title. Todd Tennessee Williams Collection, 2001-10-L.588)Īs early as January 1947 Williams was referring to a manuscript that he was working on as The Poker Night. The Poker Night A 1947 draft typescript is titled The Poker Night, the original title for A Streetcar Named Desire. Just assumed the role of Williams’s literary executor. Like most of Williams’s works, Streetcar took years to complete, and some of this work was done in New Orleans in 1946–47, while he lived in an apartment at 632½ Saint Peter Street. Just, this is the typewriter on which he wrote A Streetcar Named Desire. Tennessee Williams gave this typewriter to his close friend Maria Britneva (later Lady St. The typewriter Tennessee Williams used this typewriter to write A Streetcar Named Desire, according to its later owner Maria Britneva. Ten Streetcar items from vaults of The Historic New Orleans Collection follow. The wide range of materials features objects such as the typewriter Williams used to write the play, early manuscript drafts, original playscripts, playbills, and photographs (including Vivien Leigh’s photograph collection from the shooting of the 1951 film version), as well as posters, lobby cards, first editions of published volumes, and foreign translations. Hundreds of items chart the development and influence of Williams’s classic play A Streetcar Named Desire. For the last two decades The Historic New Orleans Collection has methodically built one of the most extensive Tennessee Williams collections in the world, and thanks to a generous endowment from the late Fred W.
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